
One of the best known filmmakers in the world and director of some of the most famous films of Spanish cinema, tender in his vision of the characters, but satirical to the point of biting in his social analysis, clearly critical despite the censorship of the Franco regime. He was born in 1921 into a wealthy Valencian family. After the Second World War, he studied at the Escuela Oficial de Cine (IIEC/EOC), where he would later become a professor. There he met Juan Antonio Bardem, and together they made their first film. His narrative ability, together with the sharpness of his satire, bordering on nonsense, made him a popular filmmaker, but also valued by critics. Nevertheless, within his comic line he oscillates between tenderness and the grotesqueness of his choral comedies. Between both extremes are his first films, written in collaboration with Rafael Azcona, in which he develops a black humor, characteristic of both, corrosive denunciations of social hypocrisy and the death penalty. In recent years he was president of the Filmoteca Nacional de España and director of a collection of erotic novels and short stories.

Plácido

El verdugo

Calabuch

¡Bienvenido, Mister Marshall!

Patrimonio nacional

Villarriba y Villabajo

La escopeta nacional

Los jueves, milagro

La vaquilla

La muerte y el leñador

Esa pareja feliz

Las pirañas

Todos a la cárcel

Nacional III

El circo

Blasco Ibáñez

París-Tombuctú

¡Vivan los novios!

Moros y cristianos

Novio a la vista

Grandeur nature

El sueño de la maestra

Paseo por una guerra antigua

Les Quatre Vérités

Se vende un tranvía

No somos de piedra

El joven Berlanga

Enrique Herreros

Las pirañas

Cineastes contra magnats

Berlanga, fanáticamente contradictorio

Octobre à Madrid

De Kuleshov a Berlanga

Por la gracia de Luis

Días de viejo color

Cuentos eróticos

A la pálida luz de la luna

La ley del cholo II

De mica en mica s’omple la pica

Cuando el mundo se acabe te seguiré amando

Tuset Street

Un pasota con corbata

Sharon vestida de rojo