
Olivier Assayas (French: [ɔlivje asajas]; born 25 January 1955) is a French film director, screenwriter and film critic. Assayas is known for his eclectic filmography, consisting of slow-burning period pieces, psychological thrillers, neo-noirs, and comedies. He has directed French, Spanish, and English-language films with international casts. The son of filmmaker Jacques Rémy, Assayas began his career as a critic for Cahiers du Cinéma. There he wrote about world cinema and its film auteurs, who later influenced his work. Assayas made several short films, and made his feature debut with Disorder in 1986. He continued directing feature films, with Cold Water (1994) considered a breakthrough film in his career. It was his first film to screen at the Cannes Film Festival in the Un Certain Regard section. His followup film, Irma Vep (1996), also screened at Cannes, while Sentimental Destinies (2000), Demonlover (2002), and Clean (2004) all officially competed for the Palme d'Or. In 2006, he contributed a short film to the anthology film Paris, je t'aime (2006). Assayas gained acclaim for his dramas Summer Hours (2008), Clouds of Sils Maria (2014), and Personal Shopper (2016); the latter won him the Cannes Film Festival Award for Best Director. He also directed the comedy Non-Fiction (2018) and the spy thriller Wasp Network (2019). Description above from the Wikipedia article Olivier Assayas, licensed under CC-BY-SA, full list of contributors on Wikipedia.

HHH - Un portrait de Hou Hsiao-Hsien

Carlos

Carlos

パリ、ジュテーム

イルマ・ヴェップ

アクトレス 女たちの舞台

Irma Vep

それぞれのシネマ

L'Heure d'été

クリーン

Le mage du Kremlin

L'Eau froide

L'Enfant de l'hiver

WASP ネットワーク

Désordre

パーソナル・ショッパー

Paris s'éveille

Fin août, début septembre

5月の後

Demonlover

Les Destinées sentimentales

Doubles vies

レディ・アサシン

Hors du temps

Noise

Une nouvelle vie

Laissé inachevé à Tokyo

Sans titre

Tous les garçons et les filles de leur âge...

Winston Tong en studio

La page blanche

Eldorado/Sonntags Abschied: Live Performance

Aware, Anywhere

Lars Eidinger - Sein oder nicht Sein

Le Cinéma de Jean-Pierre Léaud

Truffaut / Godard, scénario d'une rupture

ヒッチコック/トリュフォー

L’Œil, le pinceau et le cinématographe : naissance d'un art

光陰的故事-台灣新電影

André Téchiné, cinéaste insoumis

...Men filmen är min älskarinna

Une Journée particulière

Auf der Suche nach Ingmar Bergman

Chambre 999

Quotidien

François Truffaut: Portraits volés

Corona Film Club

Hors du temps

In the Mood for Doyle

Luchino Visconti, entre vérité et passion

Art-House America: Austin Film Society

Il était une fois... « La règle du jeu »

Périphérie de Demonlover

SY NYC 12/12/01: The Demonlover Sessions

Les leçons du professeur Goudet

Gérard Blain : adultes, je vous hais