
Kenneth Charles Loach (born 17 June 1936; Nuneaton) is a British film director, screenwriter and producer. His socially critical directing style is evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966), and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Kenneth Charles Loach was born on 17 June 1936 in Nuneaton, Warwickshire, the son of Vivien (née Hamlin) and John Loach. He attended King Edward VI Grammar School and at the age of 19 went to serve in the Royal Air Force. He read law at St Peter's College, Oxford and graduated with a third-class degree. As a member of the Oxford University Experimental Theatre Club he directed an open-air production of Bartholomew Fair for the Shakespeare Memorial Theatre, Stratford, in 1959 (when he also took the role of the shady horse-dealer Dan Jordan Knockem). After Oxford, he began a career in the dramatic arts. Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016), received the Palme d'Or at the Cannes Film Festival, making him one of only nine filmmakers to win the award twice.

Modern Times

わたしは、ダニエル・ブレイク

ケス

家族を想うとき

大地と自由

麦の穂をゆらす風

My Name Is Joe

Family Life

Ladybird Ladybird

オールド・オーク

Sweet Sixteen

Hidden Agenda

Black Jack

Cathy Come Home

The Save the Children Fund Film

Z-Cars

天使の分け前

レイニング・ストーンズ

Up the Junction

The Navigators

Carla's Song

ジミー、野を駆ける伝説

Looks and Smiles

リフ・ラフ

Dispatches

McLibel

この自由な世界で

Looking for Eric

Which Side Are You On?

ITV Saturday Night Theatre

それぞれのシネマ

Tickets

Ae Fond Kiss...

11’09”01 - September 11

夜空に星のあるように

In Two Minds

Play for Today

Bread and Roses

Days of Hope

Fatherland

The Spirit of '45

Talk About Work

ルート・アイリッシュ

The Gamekeeper

The Flickering Flame

The Price of Coal, Part 2: Back to Reality

The Golden Vision

The Price of Coal, Part 1: Meet the People

The Big Flame

Three Clear Sundays

The Rank and File

The End of Arthur's Marriage

The Wednesday Play

A Question of Leadership

The Coming Out Party

The View from the Woodpile

End of the Battle... Not the End of the War

Time to Go

The Arthur Legend

In Conversation With Jeremy Corbyn

Diary of a Young Man

The Great NHS Heist

Reel Britannia

Um Filme de Cinema

Ken Loach, le vent de la révolte

Il était une fois... « Moi, Daniel Blake »

Film: The Living Record of Our Memory

The Story of Film: An Odyssey

Margaret Thatcher, l'inoxydable

I Get Knocked Down

Celuloide colectivo: el cine en guerra

Ken and Rosa

Greg Davies: Looking for Kes

Di me cosa ne sai - Inchiesta su un grande mistero italiano

John Bishop: In Conversation with...

Victoria Wood: The Secret List

We Are Many

Catastroika

Versus: The Life and Films of Ken Loach

CzechMate: In Search of Jiří Menzel

Vittorio D.

Cannes Uncut

C'era una volta in Italia - Giacarta sta arrivando

Great Directors

Jordi Dauder, la revolució pendent

Une Journée particulière

To Make a Comedy Is No Fun

Question Time

Acqua e zucchero – Carlo Di Palma: i colori della vita

Who Killed British Cinema?

Jane Austen: Rise of a Genius

Oh Jeremy Corbyn - The Big Lie

40 x 15: The Forty Years of the Directors' Fortnight

The Making of 'Hidden Agenda'

A Turnip Head's Guide To The British Cinema

Uomini in Marcia

Il était une fois... « Rosetta »

Right to Work March

The Dream Palace: A People's History of Tyneside Cinema

Shooting from the Heart: Chris Menges, Cameraman

Drama Out of a Crisis: A Celebration of Play for Today

Carry On Ken

Making Kes

A Bolsa ou a Vida

Loach vs Corbyn: The Bad Patriots

Citizen Ken Loach

La légende de la Palme d'Or... continue

The Bad Patriots

Square

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